Visual Scavenger Hunt

The opening reception for the "Beasts" series show at the Hanover Theatre in Worcester, MA was wonderful and exciting and overwhelming. I was, however, struck by something while showing a few individuals my show this past week. I wonder whether much of the pertinant messages of the works may have been lost that big night. I have developed a sort of visual scavenger hunt to try to highlight some of the themes that are woven into the fabric of the works. If you are local to Worcester,Ma and would like to meet up with me at the theatre to see if you can find the elements I list below please contact me and we can arrange a time. The gallery room where the show hangs is off limits to the general public but a meeting with the ArtsWorcester staff (508-755-5142) or myself (janemhoughton@gmail.com) can be arranged to gain access to the show. 

"New Haven" 12" x 12" Acrylic, gouache, ink, vintage papers, tissue paper and hand embroidery on tissue SOLD 

 

Incorporated into the pieces are reminders of our shared cultural values. These values butt up against the industrial and financial practices our community and political leaders carry out. These practices impact life for all of us on this planet we share and sometimes run counter to one another. It is this tension that I elude to throughout many of the pieces in the "Beasts" series. Can you find examples of them in the pieces? 

 "Humans are a cultured and civilized species" 

  • find a tea party set with china cups
  • find wallpaper patterns featuring abstracted natural beauty. Ask yourself where this type of wallpaper is often found.
  • Can you find the evidence of hand written letters and cherished literature? What habits of life from the past do we still practice and what has replaced them? 

"Religion gives us our guidance to be godly beings"

  • find a Madonna-like figure
  • find a Tree of Life image (used by Christian teachers of Biblical stories during the Spanish Conquest) 
  • find Mandalas (used as a mediation tool by Buddhist practitioners) 
  • find a pagoda (used in most East Asian communities as a religious structure) 

"Commerce brings wealth to all layers of society" 

  • how many pieces contain vintage food labels and advertisements?
  • how many food labels that you find would not be possible without the work of the honeybee and other pollinating insects?
  • can you find Monopoly money? 

"We value our heritage, often handed down through folk arts and hand made traditions" 

  • Can you find traditional design patterns from African tribal dress?
  • Can you find evidence of hand embroidery? 
  • Can you find vintage sewing patterns?

"We feed the hungry and heal the sick"

  • Can you find food stamps?
  • Can you find examples of endangered plants and trees often used in traditional medicines and researched for their healing properties? 

"We make sense out of chaos in order to understand our world" 

  • Can you find places that I used a grid pattern to mimic the categorization of species and specimens often found in Natural History museums and laboratories? 
  • Can you find illustrations cut from vintage text books and field books of insects and birds and plant life? 

...and finally, how many endangered and at risk species can you name? 

I am planning a meet-up at the gallery in the Hanover Theatre on December 30th at 10am. 

Please join me to view the show and search for these and other clues in the works! 

Progress

Q: "how long did it take you to paint that ?" 

A: "comin' on Fifty years"

Humpback Whale piece with base layers of paint 

What's involved in creating a painting? 

  • lightbulb moment: "what if...?" 
  • research images of whales, their habitat, their plight, ...
  • do some sketches of whales, deciding on what kind of whale to focus on
  • do some sketches of seaweed and other sea creatures
  • sketch out plan for composition
  • think about what I have so far as I drive in my car, take a shower, do the dishes...
  • rework my initial concept
  • consider color palettes 
  • mix colors and note the mixing ratios in notebook
  • rework colors and start again
  • decided on size of panels and order them...make sure I can afford them...wait for them to arrive
  • sketch out initial composition
  • lay down base layers of color
  • lay down tissue paper layer and cover that with 'acrylic ground for pastels'
  • wait for it all to dry 
  • go over tissued areas with gouache where wanted
  • paint over tissued areas with acrylic to define seaweed and sea life details
  • order collaging materials from Australia...wait for them to arrive in the mail
  • separate collaging materials by color
  • cut and arrange the collage materials. Glue them down
  • Sand the edges of the collage materials to clean up the edges that hang off the edges 
  • cut tissue paper into intricate seaweed shapes to try an idea...glue them down. Rework idea to make it work...involving painting with a glaze of white ink, drawing with ink and graphite...
  • begin embroidering barnacles and detail on the whale's body...mostly done late into the night
  • ....to be continued 
Please click through on the above image to see more photos of my process...
Please follow me on Instagram (link on site) to get weekly updates on my process to get to the solo show of “Beasts”

In addition to working away on the Beasts series I am also working away at the Make Art That Sells bootcamp and preparing myself for the upcoming Global Talent Search. Sketches and refining sketches for the current MATS bootcamp assignment: 

Sketches and Refined Sketches for MATS bootcamp assignment 

The making of a whale

Follow me on Instagram to follow my progress on my newest Beasts series piece: a humpback whale diptych !   http://instagram.com/janemhoughton 

The space where my Beasts series will hang come October: the Vip room in the Hanover Theatre, Worcester, MA USA

The space where my Beasts series will hang come October: the Vip room in the Hanover Theatre, Worcester, MA USA

The progression of mixing just the right color for the whale's body. I'm going for a sea glass and sea weed palette! 

The progression of mixing just the right color for the whale's body. I'm going for a sea glass and sea weed palette! 

the first under layers for the whale piece. It is a diptych on two 36" square panels

the first under layers for the whale piece. It is a diptych on two 36" square panels

under coat of the polkadot seaweed pattern  

under coat of the polkadot seaweed pattern  

I am determined to get the eye right. It's incredible how human a humpback whale's eye is! 

I am determined to get the eye right. It's incredible how human a humpback whale's eye is!