Updates from my desk
March 2025
I’m starting early this year to work on products to sell at the holiday buying time. Some very lovely customers have been asking me for a new calendar. I haven’t done one in quite a while and it is time. My original idea, started last year, was too fussy and complicated. This kept me from getting it out in time. So, I’m back to the drawing board (ba dum dum) and have new ideas and new art.
Also, I’m reenergized about actually putting out a newsletter! Please sign up if you’d like ot be the first to know when I release the 2026 calander! Promises to be packed with funky friends of the two and four legged kind.
I have begun a series of studies based on journal entries and dreams I have had. The theme is a meditation on some family-of-origin relationships and history that I have begun to unpack these past few years. I longed to write a book about it all but don’t consider myself an effective writer. When I asked myself how I might process all the complicated feelings and beliefs I have, I landed on what comes naturally, painting.
I am a trained grief counselor and am well aware of the power of telling your story, your way. My truth matters. It’s something I often have to remind myself as the middle-kid, bandaid sibling who has always seen my role as the peacekeeper, the one who was responsible for bringing everyone together even if it meant I had to hide my truth and my feelings in the process. My parents are deceased and the remainder of my family have essentially abandoned me for a deranged story they have conjured about me that apparently makes them feel less shame, less embarrassment for their own perceived shortcomings and abuse. It’s one of the most complicated and painful grief experiences I have had to grapple with and I have experienced quite a bit of loss. Mental illness can destroy families and the souls of those who are fighting to preserve what is good in a family.
I hope this series will evolve slowly and thoughtfully for me. My intention is to take my time and allow the imagery and feelings to spill out in their own way and time. I want to respect this process in order to honor my parents who worked so hard to create a family based on shared memories, some roads that had no road maps and love. It will be an intensely private process and outcome but I hope the imagery that emerges will have some universal messages for people as well.
Some studies from my sketchbooks:
This past Christmas as I watched my three adult children and their partners take in traditional items that mean ALOT to me didn’t seem to hit them in the same way. It got me thinking, what will their traditions be? What sorts of things will they collect to refelct this season? Their partners have different traditions of course as well as religious traditions. What imagery will they want to surround themselves with (if any)?
I asked them some questions about this - even asked about the traditional red and green color palette and if that was important to them. Their answers were informative and inspiring to me.
I’ve been developing ideas for Christmas tree toppers for the 25 - 35 audience. They are shaking up our ideas of the old world order and their future trditions and imagery/color palette choices will reflect this.
Here are some of my ideas I’ve been creating with paper maches and acrylic gouache. They are prototypes but the bug will go to my son Parker and the owl to my son Simon. I made my daughter and her husband a felt Santa developed from an illustration I did as part of my 50 figures series.
An ode to ignored emails…
Does anyone else get emails on a daily that they do not unsubscribe to because they think they’ll get to them at some point but actually rarely do?
For me, one of these is Word Daily. I want to have better vocabulary. I thought I would play with some lettering and spot illustrations/doodles from my sketchbooks for a bit. The lettering is not fussy, just helps me learn the word.
Character development of the Sailor's wife for my take on The Gigantic Turnip folktale
I've been going back in to the illustrations I worked on for the Make Art That Sells Children's Book Illustration class I took this past fall. These are some character development attempts for the Sailor's wife for The Gigantic Turnip folktale that I have set by the sea.
She has been challenging to portray. It's not too often you see a mermaid, never mind even a illustration of an aging woman who is endearing and full of personality.
